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Poetry
In Finestra's Window, Patricia Corbus's starting point is home, where " in pearly clouds / called fog we sit / on unseen chairs / ... We stay, we go." When she goes, there are no limits to her flights, which, for example, may take her to "the vast loneliness of fledgling planets, / bitter-smelling rocks in empty rivers, / not decaying in patience like houses or bodes." Corbus, as one of her titles puts it, is an escape artist, whose flights may also carry her to radical origins, as when she falls "into God before he tought / of dividing up, back when he rolled his tongue about hismefl like a marble or sheep's eye, / before he reaised a window in himself and looked out..."
Wit and driving force, newly minted metaphors, vocabulary forged in energy, and unflappable nerve make these poems something genuinely new. Finestra's Window will be an energy source fo generations to come.
Jason E. "Jay" Walker was raised in Cranston, a suburb at the southern border of Providence, RI. He's never been interested in anything but the arts and humanities - entertaining, educating, inspiring, moving, and connecting (with) people - and everything he's done with his life is to pursue his lifelong dream of success in those fields. He was first alternate for the Providence Poetry Slam(TM) team in 1999 and has performed in and/or hosted poetry events throughout the RI area. He's also an established actor in RI independent film and semi-professional theater. He currently lives in Hopedale, MA, but he plans to one day live in warmer climes and travel the world.
These poems, which examine the spiritual as well as the psychological effects of being a Christian, offer an amalgam of diverse yet related influences: John Donne's "Holy Sonnets"; Alfred, Lord Tennyson's In Memoriam A.H.H.; and Emily Dickinson's "Behind me--dips Eternity--." Another significant source may also be apparent: the sonnet sequences of such Renaissance poets as Edmund Spenser, Sir Philip Sidney, and William Shakespeare. However, although the poems in Galactic Pilgrim generate a sense of thematic sequence, and although--composed of octets with variable rhyme schemes--they proceed in the same stanzaic form, they are, most decidedly, not sonnets. Rather, they are, as samples of formal poetry, what their author prefers to call either "triads" (since each poem contains three stanzas) or "quaternals" (a coinage that underscores the role of the reader as the fourth component, the co-creative entity, that responds to, and intertwines with, each triadic structure). All in all, reflecting key concepts from Jungian psychology and the new physics, these patterned lyrics seek to unfold--through form no less than through content--a unified and coherent philosophic vision steeped in the model life of the Christian Redeemer.
These poems, which examine the spiritual as well as the psychological effects of being a Christian, offer an amalgam of diverse yet related influences: John Donne's "Holy Sonnets"; Alfred, Lord Tennyson's In Memoriam A.H.H.; and Emily Dickinson's "Behind me--dips Eternity--." Another significant source may also be apparent: the sonnet sequences of such Renaissance poets as Edmund Spenser, Sir Philip Sidney, and William Shakespeare. However, although the poems in Galactic Pilgrim generate a sense of thematic sequence, and although--composed of octets with variable rhyme schemes--they proceed in the same stanzaic form, they are, most decidedly, not sonnets. Rather, they are, as samples of formal poetry, what their author prefers to call either "triads" (since each poem contains three stanzas) or "quaternals" (a coinage that underscores the role of the reader as the fourth component, the co-creative entity, that responds to, and intertwines with, each triadic structure). All in all, reflecting key concepts from Jungian psychology and the new physics, these patterned lyrics seek to unfold--through form no less than through content--a unified and coherent philosophic vision steeped in the model life of the Christian Redeemer.