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Mystery
"Perry's Victorian-era holiday mysteries [are] an annual treat."--The Wall Street Journal A New York Christmas
"A thoroughly enjoyable mystery set against the wonderful historical backdrop of 1904 New York City at Christmastime."--Library Journal (starred review) A Christmas Hope
"Very much recommended . . . a wonderful story."--Historical Novel Review
A Christmas Garland "In Anne Perry's gifted hands, the puzzle plays out brilliantly."--Greensboro News & Record A Christmas Homecoming "Could have been devised by Agatha Christie . . . [Perry is] a modern master."--Pittsburgh Post-Gazette A Christmas Odyssey "[Perry] writes with detail that invades the senses."--Lincoln Journal Star
--Cleveland Plain Dealer The Washington Post calls the Ian Rutledge novels by Charles Todd, "one of the best historical series being written today." A Matter of Justice--the eleventh in the New York Times Notable, Edgar(R) Award-nominated, and Barry Award-winning series--brings back the haunted British police inspector and still shell-shocked World War One veteran in a tale of unspeakable murder in a small English village filled to bursting with dark secrets and worthy suspects. A New York Times bestseller as spellbinding and evocative as the best of Ruth Rendell, Anne Perry, Martha Grimes, and P.D. James, A Matter of Justice represents a new high for this exceptional storyteller.
Susan Brooke has everything going for her. Men would have killed themselves to marry her, and, in fact, one did.
Susan came to New York to find love and fulfillment, and ended up dead on a tenement floor. The police say her black fiance did it, but Wolfe has other ideas. Before he's done, he'll prove that good intentions and bad deeds often go hand in hand and that the highest ideals can sometimes have the deadliest consequences.
In the fifth Leonid McGill novel, Leonid finds himself in an unusual pickle of trying to balance his cases with his chaotic personal life. Leonid's father is still out there somewhere, and his wife is in an uptown sanitarium trying to recover from the deep depression that led to her attempted suicide in the previous novel. His wife's condition has put a damper on his affair with Aura Ullman, his girlfriend. And his son, Twill, has been spending a lot of time out of the office with his own case, helping a young thief named Fortune and his girlfriend, Liza.
Meanwhile, Leonid is approached by an unemployed office manager named Hiram Stent to track down the whereabouts of his cousin, Celia, who is about to inherit millions of dollars from her father's side of the family. Leonid declines the case, but after his office is broken into and Hiram is found dead, he gets reeled into the underbelly of Celia's wealthy old-money family. It's up to Leonid to save who he can and incriminate the guilty; all while helping his son finish his own investigation; locating his own father; reconciling (whatever that means) with his wife and girlfriend; and attending the wedding of Gordo, his oldest friend.
When the prankster firefighters start dropping like flies, "I do" becomes "I didn't" as the entire wedding party is held onboard and questioned one by one. Between bouts of killer staples, interrogations by the FBI, and one mortifying polka-dot bridesmaid dress, Darcy wonders if she'll ever be ready for the tumultuous tides of marriage.
Click here to download Book Club Questions for "Aye Do or Die," prepared by author Candy Calvert!
Inspector Thomas Lynley is mystified when he's sent undercover to investigate the death of Ian Cresswell at the request of the man's uncle, the wealthy and influential Bernard Fairclough. The death has been ruled an accidental drowning, and nothing on the surface indicates otherwise. But when Lynley enlists the help of his friends Simon and Deborah St. James, the trio's digging soon reveals that the Fairclough clan is awash in secrets, lies, and motives.
Deborah's investigation of the prime suspect-Bernard's prodigal son Nicholas, a recovering drug addict-leads her to Nicholas's wife, a woman with whom she feels a kinship, a woman as fiercely protective as she is beautiful. Lynley and Simon delve for information from the rest of the family, including the victim's bitter ex-wife and the man he left her for, and Bernard himself. As the investigation escalates, the Fairclough family's veneer cracks, with deception and self-delusion threatening to destroy everyone from the Fairclough patriarch to Tim, the troubled son Ian left behind.
The gentleman tied to the lamppost on Westminster Bridge is most elegantly attired--fresh boutonniere, silk hat, white evening scarf--and he is quite, quite dead, as a result of his thoroughly cut throat. Why should anyone kill Sir Lockwood Hamilton, the kindest of family men and most conscientious member of Parliament? Before Inspector Thomas Pitt can even speculate on the reasons, a colleague of Sir Lockwood's meets the same fate in the same spot. Public indignation is boundless, and clever Charlotte Pitt, Thomas's wellborn wife, can't resist helping her hard-pressed husband, scouting society's drawing rooms for clues to these appalling crimes. Meanwhile, the Westminster Bridge Cutthroat stalks another victim.
Dwight Holly is J. Edgar Hoover's pet strong-arm goon, implementing Hoover's racist designs and obsessed with a leftist shadow figure named Joan Rosen Klein. Wayne Tedrow--ex-cop and heroin runner--is building a mob gambling mecca in the Dominican Republic and quickly becoming radicalized. Don Crutchfield is a window-peeping kid private-eye within tantalizing reach of right-wing assassins, left-wing revolutionaries and the powermongers of an incendiary era. Their lives collide in pursuit of the Red Goddess Joan--and each of them will pay a dear and savage price to live History.
Political noir as only James Ellroy can write it--our recent past razed and fully reconstructed--Blood's A Rover is a novel of astonishing depth and scope, a massive tale of corruption and retribution, of ideals at war and the extremity of love. It is the largest and greatest work of fiction from an American master.
As commander of the nation's most elite FBI counterterrorism unit, agent Max Bhagat leads by hard-driving example: pushing himself to the limit and beyond, taking no excuses, and putting absolutely nothing ahead of his work. That includes his deep feelings for Gina Vitagliano, the woman who won his admiration and his heart with her courage under fire. But when the shocking news reaches him that Gina has been killed in a terrorist bombing, nothing can keep Max from making a full investigation-and retribution-his top priority.
At the scene of the attack, however, Max gets an even bigger shock. Gina is still very much alive-but facing a fate even worse than death. Along with Molly Anderson, a fellow overseas relief worker, Gina has fallen into the hands of a killer who is bent on using both women to bait a deadly trap. His quarry? Grady Morant, a.k.a "Jones," a notorious ex-Special Forces operative turned smuggler who made some very deadly enemies in the jungles of Southeast Asia . . . and has been running ever since. But with Molly's life on the line, Jones is willing to forfeit his own to save the woman he loves.
Together with Max's top agent Jules Cassidy as their only backup, the unlikely allies plunge into a global hot zoneof violence and corruption to make a deal with the devil. Not even Jones knows which ghosts from his past want him dead. But there's one thing he's sure of-there's very little his bloodthirsty enemies aren't willing to do.
Count on the intense action and raw honesty that Suzanne Brockmann consistently delivers, as she goes for broke in Breaking Point-and never looks back.
Lucy's getting very annoyed that her husband Bill and his friend Evan have been working seemingly nonstop on their potentially prize-winning pumpkin catapult. But when the day of the big contest arrives, Evan is nowhere to be found...until a catapulted pumpkin busts open the trunk of the Dodge. Amid the pumpkin gore is a very deceased Evan, bashed in the head and placed in the trunk by someone long before the contest started.
Bill is on the hook for the Halloween homicide--he was the last one to see Evan--so Lucy knows she's got some serious sleuthing to do. The crime's trail seems to always circle back to Country Cousins, the town's once-quaint general store that's now become a big Internet player. Though the store's founder, Old Sam Miller, is long gone, his son Tom and grandson Trey now run the hugely successful company. But whispered rumors say things aren't going well, and Lucy finds that this case may have something to do with an unsolved, decades-old Miller family mystery...
With each new lead pointing her in a different direction, Lucy sees that time is quickly running out. If she wants to spook the real killer, she'll have to step into an old ghost story...
Former Florida police officer turned pet-sitting sleuth is once again on the prowl. Dixie Hemingway no relation to you-know-who is helping an elderly gentleman, Mr. Stern, take care of his orange shorthair cat, Cheddar. But it's Stern's infant granddaughter, Opal, who really wins Dixie's heart. Problem is that Opal's mother, Ruby, has some dangerous connections to certain local big-money honchos. Ruby has enough insider information to send them to prison for life and they are willing to do anything, even threaten Opal's life, to shut her up and preserve their ill-gotten gains. Now it's up to Dixie to protect Opal from harm at all costs. And she must do it without letting law-enforcement people know not even Detective Guidry, with whom she happens to be romantically involved. Does Dixie have her claws sunk in too deep to make it out of this one? Or are her nine lives finally up?"
Spenser quickly learns that the Ukrainian mob is responsible for the hit, but finding a way into their tightly knit circle is not nearly so simple. Their total control of the town of Marshport, from the bodegas to the police force to the mayor's office, isn't just a sign of rampant corruption-it's a form of arrogance that only serves to ignite Hawk's desire to get even. As the body count rises, Spenser is forced to employ some questionable techniques and even more questionable hired guns while redefining his friendship with Hawk in the name of vengeance.