Humor

This edition of A Christmas Story gathers together in one hilarious volume the gems of autobiographical humor that Jean Shepherd drew upon to create this enduring film. Here is young Ralphie Parker's shocking discovery that his decoder ring is really a device to promote Ovaltine; his mother and father's pitched battle over the fate of a lascivious leg lamp; the unleashed and unnerving savagery of Ralphie's duel in the show with the odious bullies Scut Farkas and Grover Dill; and, most crucially, Ralphie's unstoppable campaign to get Santa--or anyone else--to give him a Red Ryder carbine action 200-shot range model air rifle. Who cares that the whole adult world is telling him, "You'll shoot your eye out, kid"?

The pieces that comprise A Christmas Story, previously published in the larger collections In God We Trust, All Others Pay Cash and Wanda Hickey's Night of Golden Memories, coalesce in a magical fashion to become an irresistible piece of Americana, quite the equal of the film in its ability to warm the heart and tickle the funny bone.

When Chelsea Handler needs to get a few things off her chest, she appeals to a higher power -- vodka. You would too if you found out that your boyfriend was having an affair with a Peekapoo or if you had to pretend to be honeymooning with your father in order to upgrade to first class. Welcome to Chelsea's world -- a place where absurdity reigns supreme and a quick wit is the best line of defense.

In this hilarious, deliciously skewed collection, Chelsea mines her past for stories about her family, relationships, and career that are at once singular and ridiculous. Whether she's convincing her third-grade class that she has been tapped to play Goldie Hawn's daughter in the sequel to "Private Benjamin, " deciding to be more egalitarian by dating a redhead, or looking out for a foulmouthed, rum-swilling little person who looks just like her...only smaller, Chelsea has a knack for getting herself into the most outrageous situations. "Are You There, Vodka? It's Me, Chelsea" showcases the candor and irresistible turns of phrase that have made her one of the freshest voices in comedy today.

This second volume from the strip's 2015 relaunch follows just a year after Bloom County Episode XI: A New Hope, but, boy, have things changed. It seems like we need Opus, Bill, and the gang now more than ever. Filled with biting, hilarious, and all-too necessary political insight from one of America's most celebrated cartoonists, a Brand Spanking New Day is just what the doctor ordered.

When he buys a beach house on the Carolina coast, Sedaris envisions long, relaxing vacations spent playing board games and lounging in the sun with those he loves most. And life at the Sea Section, as he names the vacation home, is exactly as idyllic as he imagined, except for one tiny, vexing realization: it's impossible to take a vacation from yourself.

With Calypso, Sedaris sets his formidable powers of observation toward middle age and mortality. Make no mistake: these stories are very, very funny--it's a book that can make you laugh 'til you snort, the way only family can. Sedaris's powers of observation have never been sharper, and his ability to shock readers into laughter unparalleled. But much of the comedy here is born out of that vertiginous moment when your own body betrays you and you realize that the story of your life is made up of more past than future.

This is beach reading for people who detest beaches, required reading for those who loathe small talk and love a good tumor joke. Calypso is simultaneously Sedaris's darkest and warmest book yet--and it just might be his very best.

Organized by decade, with commentary by some of the magazine's finest writers, this landmark collection showcases the work of the hundreds of talented artists who have contributed cartoons over the course ofThe New Yorker's eight-two-year history. From the early cartoons of Peter Arno, George Price and Charles Addams to the cutting-edge work of Alex Gregory, Matthew Diffee and Bruce Eric Kaplan (with stops along the way for the genius of Charles Barsotti, Roz Chast, Jack Ziegler, George Booth, and many others), the art collected here forms, as David Remnick puts it in his Foreword, "the longest-running popular comic genre in American life."

Throughout the book, brief overviews of each era's predominant themes--from the Depression and nudity to technology and the Internet, highlight various genres of cartoons and shed light on our pastimes and preoccupations. Brief profiles and mini-portfolios spotlight the work of key cartoonists, including Arno, Chast, Ziegler, and others.

The DVD-ROM included with the book is what really makes the "Complete Cartoons" complete. Compatible with most home computers and easily browsable, the disk contains a mind-boggling 70,363 cartoons, indexed in a variety of ways. Perhaps you'd like to find all the cartoons by your favorite artist. Or maybe you'd like to look up the cartoons that ran the week you were born, or all of the cartoons on a particular subject. Of course, you can always begin at the beginning, February 21, 1925, and experience the unprecedented pleasure of reading through every single cartoon ever published in The New Yorker.

Enjoy this one-of-a-kind protrait of American life over the past eight decades, as captured by the talented pens and singular outlooks of the masters of the cartoonist's art.

Decades before The Daily Show, The Smothers Brothers Comedy Hour proved there was a place on television for no-holds-barred political comedy with a decidedly antiauthoritarian point of view. In this explosive, revealing history of the show, veteran entertainment journalist David Bianculli tells the fascinating story of its three-year network run -- and the cultural impact that's still being felt today.

Before it was suddenly removed from the CBS lineup (reportedly under pressure from the Nixon administration), The Smothers Brothers Comedy Hour was a ratings powerhouse. It helped launch the careers of comedy legends such as Steve Martin and Rob Reiner, featured groundbreaking musical acts like the Beatles and the Who, and served as a cultural touchstone for the antiwar movement of the late 1960s.

Drawing on extensive original interviews with Tom and Dick Smothers and dozens of other key players -- as well as more than a decade's worth of original research -- Dangerously Funny brings readers behind the scenes for all the battles over censorship, mind-blowing musical performances, and unforgettable sketches that defined the show and its era.

David Bianculli delves deep into this riveting story, to find out what really happened and to reveal why this show remains so significant to this day.

Cubicle-dwelling business people the world over have been knowingly nodding, faithfully push-pinning their favorite strips to their cube walls, and--most of all--belly laughing out loud ever since Dilbert first arrived on the scene. In this collection, Excuse Me While I Wag, Dilbert and his look-alike dog, Dogbert, once again provide comic relief to anyone who has ever had to inhabit a cubicle, endure an "initiative of the week," or simply work in an office that has, on occasion, caused them to pull out large clumps of their hair. Scott Adams' dead-on humor in Excuse Me While I Wag is sure to satisfy the hordes of fans worldwide who avidly follow the misadventures of Dilbert, Dogbert, Catbert, Ratbert, the pointy-haired boss, and the rest of the cast of characters in Dilbert's world--a world that's eerily like the one we work in daily.

Ponder, if you will

What happens to your Social Security number when you die?
Why are peanuts listed as an ingredient in plain M&Ms?
Why is Barbie's hair made out of nylon, but Ken's hair is plastic?
What makes up the ever-mysterious "new-car smell"?

Pop-culture guru David Feldman demystifies these topics and so much more in Do Penguins Have Knees? -- the unchallenged source of answers to civilization's most perplexing questions.

Part of the Imponderables(R) series, Do Penguins Have Knees? arms readers with the knowledge about everyday life that encyclopedias, dictionaries, and almanacs just don't have. And think about it, where else are you going to get to the bottom of how beer was kept cold in the Old West?

A: Well, that's difficult to say. I haven't read it yet--I've just picked it up and casually glanced at the back cover. There clearly isn't a plot. I've heard there's a lot of stuff about time travel in this book, and quite a bit about violence and Garth Brooks and why Germans don't laugh when they're inside grocery stores. Ralph Nader and Ralph Sampson play significant roles. I think there are several pages about "Rear Window "and college football and "Mad Men "and why Rivers Cuomo prefers having sex with Asian women. Supposedly there's a chapter outlining all the things the Unabomber was right about, but perhaps I'm misinformed.

Q: Is there a larger theme?

A: Oh, something about reality. "What is reality," maybe? No, that's not it. Not exactly. I get the sense that most of the core questions dwell on the way media perception constructs a fake reality that ends up becoming more meaningful than whatever actually happened. Also, Lady Gaga.

Q: Should I read this book?

A: Probably. Do you see a clear relationship between the Branch Davidian disaster and the recording of Nirvana's "In Utero"? Does Barack Obama make you want to drink Pepsi? Does ABBA remind you of AC/DC? If so, you probably don't need to read this book. You probably wrote this book. But I suspect everybody else will totally love it, except for the ones who totally hate it.

Where New York humans are accomplished, interesting, thoughtful, creative, and even sometimes tragic figures, the cats are simply cats. They do not stand in line for brunch, or have season tickets to the Met, or go indoor-rock climbing in Brooklyn. They do not shop at thrift stores or nibble finger sandwiches at the Russian Tea Room. And they certainly do not give a flying f*ck about the Yankees.

No, the felines of New York bathe, purr, bask languidly in the sun, and occasionally cast baleful glances at the humans who provide them food and shelter. They are proof that behind every New Yorker, there lays a cat just waiting to destroy their IKEA futon and then eat their faces off when they die.

The rest is history.

Lisa Scottoline and Francesca Serritella are back with another collection of warm and witty stories that will strike a chord with every woman. This four book series is among the best reviewed humor books published today and has been compared to the late greats, Erma Bombeck and Nora Ephron. Booklist raved of the third book in the series, Meet Me At Emotional Baggage Claim, "readers can count on an ab-toning laugh session, a silly giggle, a sympathetic sigh, and a lump in the throat as life's moments are rehashed through the keen eyes and wits of this lovable mother-daughter duo." This fourth volume, Have a Nice Guilt Trip, maintains the same sterling standard of humor and poignancy as Lisa and Francesca continue on the road of life acquiring men and puppies. Ok, to be honest, Lisa is acquiring the puppies, while Francesca is lucky enough to have dates with actual men. They leave it to the listeners to decide which is more desirable and/or or easier to train.

In Hot Flash Haiku, you'll find 200 funny and frank, punny and profound poems designed to delight women of a certain age. Hot flashers Jennifer Basye Sander and Paula Munier have divided this hilarious and moving collection by the five stages of grief, alternately laughing and lamenting about such ageless topics like love, sex, children, death, taxes, and life in general on the far side of forty.

Hot Flash Haiku: Because you're hot and you know it!