Fiction

The hunt for the killer lures Lindsay out of her jurisdiction, and gets inside Lindsay in dangerous ways. She suffers unsettling medical symptoms, and her friends and confidantes in the Women's Murder Club warn Lindsay against taking the crimes too much to heart. With lives at stake, the detective can't help but follow the case into ever more terrifying terrain.

A decorated officer, loving wife, devoted mother, and loyal friend, Lindsay's unwavering integrity has never failed her. But now she is confronting a killer who is determined to undermine it all.

In a morally complex tale rich with authenticity, Nunn takes readers to Jacob's Rest, a tiny town on the border between South Africa and Mozambique. It is 1952, and new apartheid laws have recently gone into effect, dividing a nation into black and white while supposedly healing the political rifts between the Afrikaners and the English. Tensions simmer as the fault line between the oppressed and the oppressors cuts deeper, but it's not until an Afrikaner police officer is found dead that emotions more dangerous than anyone thought possible boil to the surface.

When Detective Emmanuel Cooper, an Englishman, begins investigating the murder, his mission is preempted by the powerful police Security Branch, who are dedicated to their campaign to flush out black communist radicals. But Detective Cooper isn't interested in political expediency and has never been one for making friends. He may be modest, but he radiates intelligence and certainly won't be getting on his knees before those in power. Instead, he strikes out on his own, following a trail of clues that lead him to uncover a shocking forbidden love and the imperfect life of Captain Pretorius, a man whose relationships with the black and coloured residents of the town he ruled were more complicated and more human than anyone could have imagined.

The first in her Detective Emmanuel Cooper series, A Beautiful Place to Die marks the debut of a talented writer who reads like a brilliant combination of Raymond Chandler and Graham Greene. It is a tale of murder, passion, corruption, and the corrosive double standard that defined an apartheid nation. I

Now, a half century later, "A Company of Readers" tells the story of this extraordinary partnership and presents for the first time a selection of essays from the publications of the Readers' Subscription Book Club and its successor, the Mid-Century Book Society.

As they composed their comments to club members, these distinguished editors freely shared with each other their notes and drafts. The result is criticism of the highest order: smart, humane, learned -- in short, stuff that makes for damn good reading. And because these pieces were written for the general public by men who knew that books still mattered, perhaps no other collection of essays gives so natural and vivid a picture of the cultural landscape at midcentury.

Together, Auden, Barzun, and Trilling would plunge into a pile of books and pick out what they liked, what they thought would instruct and delight. What they chose may surprise you. Here is Auden on J. R. R. Tolkien's "The Fellowship of the Ring, " Barzun on Virginia Woolf's "Writer's Diary, " and Trilling on Kenneth Grahame's "The Wind in the Willows." Each book, whether weighty or light, summoned from the editors a spirited appraisal, in language that welcomed any kind of reader.

The Mid-Century club disbanded in 1963, but its legacy lives on in these pages. "A Company of Readers" is essential to admirers of thisillustrious trio, and it offers a window on an America in which books took center stage.

Corruption, Creatures, and Clams

"If you listen carefully, as you wander the darkened streets of Providence late at night, perhaps you will hear a sound..."

Home to H.P. Lovecraft and haunted by Edgar Allen Poe, Rhode Island has long been a nexus of horror.
What lurks under the streets of Providence? What is swimming up Narragansett Bay? What do you do with the corpse of a bloated city councilor?

In this collection, award-winning author and storyteller Mark Binder shares tales of horrific history, pernicious politics and fatal food. Limited edition volume of three stories: The Vampire Clams of Narragansett Bay, Old Scratch Nickels, The Old One.

Mark Binder is a graduate of Columbia University, where he studied autobiographical storytelling with Spalding Gray, and was kicked out of class for lying. An award-winning performance storyteller, he relishes spinning tales for multigenerational listeners around the world. He is the author of more than 20 books and audio books. Mark lives in Providence with his wife and family.

"A Map of Days reveals Ransom Riggs at the peak of his powers, leaving loyal fans ravenous for more." -NY Journal of Books

Having defeated the monstrous threat that nearly destroyed the peculiar world, Jacob Portman is back where his story began, in Florida. Except now Miss Peregrine, Emma, and their peculiar friends are with him, and doing their best to blend in. But carefree days of beach visits and normalling lessons are soon interrupted by a discovery--a subterranean bunker that belonged to Jacob's grandfather, Abe.

Clues to Abe's double-life as a peculiar operative start to emerge, secrets long hidden in plain sight. And Jacob begins to learn about the dangerous legacy he has inherited--truths that were part of him long before he walked into Miss Peregrine's time loop.

Now, the stakes are higher than ever as Jacob and his friends are thrust into the untamed landscape of American peculiardom--a world with few ymbrynes, or rules--that none of them understand. New wonders, and dangers, await in this brilliant next chapter for Miss Peregrine's peculiar children. Their story is again illustrated by haunting vintage photographs, now with the striking addition of full-color images interspersed throughout for this all-new, multi-era American adventure.

The New York Times bestselling author of No Time for Goodbye returns with a haunting psychological thriller that blends the twists and turns of Gillian Flynn with the driving suspense of Harlan Coben, in which a man is troubled by odd sounds for which there is no rational explanation.

College professor Paul Davis is a normal guy with a normal life. Until, driving along a deserted road late one night, he surprises a murderer disposing of a couple of bodies. That's when Paul's "normal" existence is turned upside down. After nearly losing his own life in that encounter, he finds himself battling PTSD, depression, and severe problems at work. His wife, Charlotte, desperate to cheer him up, brings home a vintage typewriter--complete with ink ribbons and heavy round keys--to encourage him to get started on that novel he's always intended to write.

However, the typewriter itself is a problem. Paul swears it's possessed and types by itself at night. But only Paul can hear the noise coming from downstairs; Charlotte doesn't hear a thing. And she worries he's going off the rails.

Paul believes the typewriter is somehow connected to the murderer he discovered nearly a year ago. The killer had made his victims type apologies to him before ending their lives. Has another sick twist of fate entwined his life with the killer--could this be the same machine? Increasingly tormented but determined to discover the truth and confront his nightmare, Paul begins investigating the deaths himself.

But that may not be the best thing to do. Maybe Paul should just take the typewriter back to where his wife found it. Maybe he should stop asking questions and simply walk away while he can. . . .

Susan Brooke has everything going for her. Men would have killed themselves to marry her, and, in fact, one did.

Susan came to New York to find love and fulfillment, and ended up dead on a tenement floor. The police say her black fiance did it, but Wolfe has other ideas. Before he's done, he'll prove that good intentions and bad deeds often go hand in hand and that the highest ideals can sometimes have the deadliest consequences.

Can love for a secret child heal old wounds?

St. Paul, MN, 1946: Introspective Shannon Malone and her more popular sister Eliza are Irish twins and best friends. As little girls, they relied on each other for companionship and affection as their mother remained distant, beating back the demons of her own mysterious childhood. With the war finally over, womanhood approaches and both girls look forward to promising--though different--futures. But when tragedy rocks their family, silence and shame bloom and one sister leaves, possibly forever. Heart-broken and physically scarred, the other secretly vows to hold the invisible thread that runs deeply between them. In the course of her journey she finds a child with a hidden past, the love of a good man, and discovers the true meaning of family. But is it enough to bring her sister home?

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From the critically acclaimed, bestselling author of The Russian Debutante's Handbook comes the uproarious and poignant story of one very fat man and one very small country
Meet Misha Vainberg, aka Snack Daddy, a 325-pound disaster of a human being, son of the 1,238th-richest man in Russia, proud holder of a degree in multicultural studies from Accidental College, USA (don't even ask), and patriot of no country save the great City of New York. Poor Misha just wants to live in the South Bronx with his hot Latina girlfriend, but after his gangster father murders an Oklahoma businessman in Russia, all hopes of a U.S. visa are lost.
Salvation lies in the tiny, oil-rich nation of Absurdistan, where a crooked consular officer will sell Misha a Belgian passport. But after a civil war breaks out between two competing ethnic groups and a local warlord installs hapless Misha as minister of multicultural affairs, our hero soon finds himself covered in oil, fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century.
With the enormous success of The Russian Debutante's Handbook, Gary Shteyngart established himself as a central figure in today's literary world--"one of the most talented and entertaining writers of his generation," according to The New York Observer. In Absurdistan, he delivers an even funnier and wiser literary performance. Misha Vainberg is a hero for the new century, a glimmer of humanity in a world of dashed hopes.