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Fiction
Kay Mitchell finally did it-landed her dream job as a creative associate at LaToulle Relations! After spending a few postcollege years in New York City, Kay's student loan anxiety and time bartending at Lola's Bar and Lounge have finally paid off... or so she thought.
Two years into her role, she still hasn't seen a pay bump or feels she fits in with the glitz and glamour of it all. Staving off impostor syndrome might be easier if she could stand up to her competitive counterpart, Natasha, or afford a more lavish lifestyle. It doesn't help that dating New York City men is another roller coaster ride of its own.
At the same time, Kay's best friend and Lola's manager, Sisi, asks her to come back part-time. Strapped for cash, she says yes. Torn between her current reality and ambitious future, Kay's world is turned upside down by a potential promotion, playing middle woman between combative friends, and discovering her romantic desires.
Just on the cusp of career success and the miracle of finding the right relationship, Kay is confronted with tempting hookups, deceitful frenemies, and the pressure to make her vision of success a reality.
For decades, December 21, 2012, has been a touchstone for doomsayers worldwide. It is the date, they claim, when the ancient Maya calendar predicts the world will end.
In Los Angeles, two weeks before, all is calm. Dr. Gabriel Stanton takes his usual morning bike ride, drops off the dog with his ex-wife, and heads to the lab where he studies incurable prion diseases for the CDC. His first phone call is from a hospital resident who has an urgent case she thinks he needs to see. Meanwhile, Chel Manu, a Guatemalan American researcher at the Getty Museum, is interrupted by a desperate, unwelcome visitor from the black market antiquities trade who thrusts a duffel bag into her hands.
By the end of the day, Stanton, the foremost expert on some of the rarest infections in the world, is grappling with a patient whose every symptom confounds and terrifies him. And Chel, the brightest young star in the field of Maya studies, has possession of an illegal artifact that has miraculously survived the centuries intact: a priceless codex from a lost city of her ancestors. This extraordinary record, written in secret by a royal scribe, seems to hold the answer to her life's work and to one of history's great riddles: why the Maya kingdoms vanished overnight. Suddenly it seems that our own civilization might suffer this same fate.
With only days remaining until December 21, 2012, Stanton and Chel must join forces before time runs out.
Advance praise for "12.21"
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"Dustin Thomason, M.D., will invariably be compared to Michael Crichton, M.D., and "12.21" will be favorably compared to "The Andromeda Strain." Both authors have written first-rate medical thrillers, the kind of fact-based fiction that is "very" scary but also "very" entertaining. Thomason knows his stuff, and it shows on every page. I truly could not put this book down."--Nelson DeMille
"The most exciting novel of its kind since the days of Michael Crichton, "12.21" takes us from the frontiers of modern neuroscience to the riddles of ancient Maya texts, with nothing less than the future of our civilization at stake."--Vince Flynn
"A fast-moving tale . . . Thomason displays an impressive depth of knowledge of both science and the ancient Mayan way of life. Along the way, he skillfully ramps up the action, one notch at a time. A winning book."--"Kirkus Reviews"
"Fascinating, terrifying for its potential realism. I loved how tightly everything fit together. I had to keep reading."--Taylor Stevens, "New York Times" bestselling author of "The Informationist
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"Fast, suspenseful . . . Michael Crichton fans will find a lot to like."--"Publishers Weekly"
"A riveting apocalyptic mystery in the style of LOST." --Craig DiLouie, author of THE INFECTION and THE KILLING FLOOR "A wholly original story that weaves together mystery and the apocalypse like a finely tuned band." --Evan Roy, Bricks of the Dead
--The Washington Post
The darker vision and sexual ambiguities of this erotic, ironic tale about a mé nage a quatre in a New England university town foreshadow those of The World According to Garp; but this very trim and precise novel is a marked departure from the author's generally robust, boisterous style. Though Mr. Irving's cool eye spares none of his foursome, he writes with genuine compassion for the sexual tests and illusions they perpetrate on each other; but the sexual intrigue between them demonstrates how even the kind can be ungenerous, and even the well-intentioned, destructive.
"One of the most remarkable things about John Irving's first three novels, viewed from the vantage of The World According to Garp, is that they can be read as one extended fictional enterprise. . . . The 158-Pound Marriage is as lean and concentrated as a mine shaft."
--Terrence Des Pres
When a series of shootings exposes San Francisco to a mysterious killer, a reluctant woman decides to put her trust in Sergeant Lindsay Boxer. The confidential informant's tip leads Lindsay to a disturbing conclusion: something has gone horribly wrong inside the police department.
The hunt for the killer lures Lindsay out of her jurisdiction and impacts her in dangerous ways. She suffers unsettling medical symptoms, and her friends in the Women's Murder Club warn her against taking the crimes to heart. But with lives at stake, the detective can't help but follow the case into terrifying terrain.
A decorated officer, loving wife, devoted mother, and loyal friend, Lindsay has always acted with unwavering integrity. But now she is confronting a killer who is determined to undermine it all.
For Kathleen, Christmas has always been an unwelcome reminder of her father's abandonment almost three tumultuous decades ago. Although she has tried to forget her past, it has not forgotten her, and in the days leading up to Christmas, an unforgiving blizzard traps her in her home with two unlikely roommates who bring her face to face with the hurts of her past-and the hope of a happier future.
Will she let go of the past and grad hold of a future full of love and forgiveness? Or will she continue to be haunted by her pain as the snow storm of the century brings with it the hope of lasting joy?
