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Fiction
From the co-author of the two-million copy mega-bestseller "The Rule of Four "comes a riveting thriller with a brilliant premise based on the 2012 apocalypse phenomenon--perfect for readers of Steve Berry, Preston and Child, and Dan Brown.
For decades, December 21, 2012, has been a touchstone for doomsayers worldwide. It is the date, they claim, when the ancient Maya calendar predicts the world will end.
In Los Angeles, two weeks before, all is calm. Dr. Gabriel Stanton takes his usual morning bike ride, drops off the dog with his ex-wife, and heads to the lab where he studies incurable prion diseases for the CDC. His first phone call is from a hospital resident who has an urgent case she thinks he needs to see. Meanwhile, Chel Manu, a Guatemalan American researcher at the Getty Museum, is interrupted by a desperate, unwelcome visitor from the black market antiquities trade who thrusts a duffel bag into her hands.
By the end of the day, Stanton, the foremost expert on some of the rarest infections in the world, is grappling with a patient whose every symptom confounds and terrifies him. And Chel, the brightest young star in the field of Maya studies, has possession of an illegal artifact that has miraculously survived the centuries intact: a priceless codex from a lost city of her ancestors. This extraordinary record, written in secret by a royal scribe, seems to hold the answer to her life's work and to one of history's great riddles: why the Maya kingdoms vanished overnight. Suddenly it seems that our own civilization might suffer this same fate.
With only days remaining until December 21, 2012, Stanton and Chel must join forces before time runs out.
Advance praise for "12.21"
" "
"Dustin Thomason, M.D., will invariably be compared to Michael Crichton, M.D., and "12.21" will be favorably compared to "The Andromeda Strain." Both authors have written first-rate medical thrillers, the kind of fact-based fiction that is "very" scary but also "very" entertaining. Thomason knows his stuff, and it shows on every page. I truly could not put this book down."--Nelson DeMille
"The most exciting novel of its kind since the days of Michael Crichton, "12.21" takes us from the frontiers of modern neuroscience to the riddles of ancient Maya texts, with nothing less than the future of our civilization at stake."--Vince Flynn
"A fast-moving tale . . . Thomason displays an impressive depth of knowledge of both science and the ancient Mayan way of life. Along the way, he skillfully ramps up the action, one notch at a time. A winning book."--"Kirkus Reviews"
"Fascinating, terrifying for its potential realism. I loved how tightly everything fit together. I had to keep reading."--Taylor Stevens, "New York Times" bestselling author of "The Informationist
"
"Fast, suspenseful . . . Michael Crichton fans will find a lot to like."--"Publishers Weekly"
For decades, December 21, 2012, has been a touchstone for doomsayers worldwide. It is the date, they claim, when the ancient Maya calendar predicts the world will end.
In Los Angeles, two weeks before, all is calm. Dr. Gabriel Stanton takes his usual morning bike ride, drops off the dog with his ex-wife, and heads to the lab where he studies incurable prion diseases for the CDC. His first phone call is from a hospital resident who has an urgent case she thinks he needs to see. Meanwhile, Chel Manu, a Guatemalan American researcher at the Getty Museum, is interrupted by a desperate, unwelcome visitor from the black market antiquities trade who thrusts a duffel bag into her hands.
By the end of the day, Stanton, the foremost expert on some of the rarest infections in the world, is grappling with a patient whose every symptom confounds and terrifies him. And Chel, the brightest young star in the field of Maya studies, has possession of an illegal artifact that has miraculously survived the centuries intact: a priceless codex from a lost city of her ancestors. This extraordinary record, written in secret by a royal scribe, seems to hold the answer to her life's work and to one of history's great riddles: why the Maya kingdoms vanished overnight. Suddenly it seems that our own civilization might suffer this same fate.
With only days remaining until December 21, 2012, Stanton and Chel must join forces before time runs out.
Advance praise for "12.21"
" "
"Dustin Thomason, M.D., will invariably be compared to Michael Crichton, M.D., and "12.21" will be favorably compared to "The Andromeda Strain." Both authors have written first-rate medical thrillers, the kind of fact-based fiction that is "very" scary but also "very" entertaining. Thomason knows his stuff, and it shows on every page. I truly could not put this book down."--Nelson DeMille
"The most exciting novel of its kind since the days of Michael Crichton, "12.21" takes us from the frontiers of modern neuroscience to the riddles of ancient Maya texts, with nothing less than the future of our civilization at stake."--Vince Flynn
"A fast-moving tale . . . Thomason displays an impressive depth of knowledge of both science and the ancient Mayan way of life. Along the way, he skillfully ramps up the action, one notch at a time. A winning book."--"Kirkus Reviews"
"Fascinating, terrifying for its potential realism. I loved how tightly everything fit together. I had to keep reading."--Taylor Stevens, "New York Times" bestselling author of "The Informationist
"
"Fast, suspenseful . . . Michael Crichton fans will find a lot to like."--"Publishers Weekly"
Padlocked doors. Strange light fixtures. Mutant cockroaches. There are some odd things about Nate's new apartment. Chosen by Audible.com as the best sci-fi novel of 2012! Padlocked doors. Strange light fixtures. Mutant cockroaches. There are some odd things about Nate's new apartment. Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn't perfect, it's livable. The rent is low, the property managers are friendly, and the odd little mysteries don't nag at him too much. At least, not until he meets Mandy, his neighbor across the hall, and notices something unusual about her apartment. And Xela's apartment. And Tim's. And Veek's. Because every room in this old Los Angeles brownstone has a mystery or two. Mysteries that stretch back over a hundred years. Some of them are in plain sight. Some are behind locked doors. And all together these mysteries could mean the end of Nate and his friends. Or the end of everything...
"A riveting apocalyptic mystery in the style of LOST." --Craig DiLouie, author of THE INFECTION and THE KILLING FLOOR "A wholly original story that weaves together mystery and the apocalypse like a finely tuned band." --Evan Roy, Bricks of the Dead
"A riveting apocalyptic mystery in the style of LOST." --Craig DiLouie, author of THE INFECTION and THE KILLING FLOOR "A wholly original story that weaves together mystery and the apocalypse like a finely tuned band." --Evan Roy, Bricks of the Dead
In this #1 NYT bestseller, Sergeant Lindsay Boxer puts her life on the line to protect San Francisco from a shrewd and unpredictable killer.
When a series of shootings exposes San Francisco to a mysterious killer, a reluctant woman decides to put her trust in Sergeant Lindsay Boxer. The confidential informant's tip leads Lindsay to a disturbing conclusion: something has gone horribly wrong inside the police department.
The hunt for the killer lures Lindsay out of her jurisdiction and impacts her in dangerous ways. She suffers unsettling medical symptoms, and her friends in the Women's Murder Club warn her against taking the crimes to heart. But with lives at stake, the detective can't help but follow the case into terrifying terrain.
A decorated officer, loving wife, devoted mother, and loyal friend, Lindsay has always acted with unwavering integrity. But now she is confronting a killer who is determined to undermine it all.
When a series of shootings exposes San Francisco to a mysterious killer, a reluctant woman decides to put her trust in Sergeant Lindsay Boxer. The confidential informant's tip leads Lindsay to a disturbing conclusion: something has gone horribly wrong inside the police department.
The hunt for the killer lures Lindsay out of her jurisdiction and impacts her in dangerous ways. She suffers unsettling medical symptoms, and her friends in the Women's Murder Club warn her against taking the crimes to heart. But with lives at stake, the detective can't help but follow the case into terrifying terrain.
A decorated officer, loving wife, devoted mother, and loyal friend, Lindsay has always acted with unwavering integrity. But now she is confronting a killer who is determined to undermine it all.
The Easter Rising of 1916 was a major turning point in Irish history. Inspired
Four crime-solving friends face off against a killer in San Francisco in the Women's Murder Club novel that started James Patterson's thrilling series. Each one holds a piece of the puzzle: Lindsay Boxer is a homicide inspector in the San Francisco Police Department, Claire Washburn is a medical examiner, Jill Bernhardt is an assistant D.A., and Cindy Thomas just started working the crime desk of the San Francisco Chronicle. But the usual procedures aren't bringing them any closer to stopping the killings. So these women form a Women's Murder Club to collaborate outside the box and pursue the case by sidestepping their bosses and giving each other a hand. The four women develop intense bonds as they pursue a killer whose crimes have stunned an entire city. Working together, they track down the most terrifying and unexpected killer they have ever encountered--before a shocking conclusion in which everything they knew turns out to be devastatingly wrong.
Full of the breathtaking drama and unforgettable emotions for which James Patterson is famous, 1st to Die is the start of the #1 New York Times bestselling series of crime thrillers.
Full of the breathtaking drama and unforgettable emotions for which James Patterson is famous, 1st to Die is the start of the #1 New York Times bestselling series of crime thrillers.
An American frigate, tracking down a ship-sinking monster, faces not a living creature but an incredible invention -- a fantastic submarine commanded by the mysterious Captain Nemo. Suddenly a devastating explosion leaves just three survivors who find themselves prisoners in Nemo's death ship on an underwater odyssey around the world, as Captain Nemo -- one of the most horrible villains ever created -- takes his revenge out on society. This novel, written in 1870, foretells with uncanny accuracy the inventions and advanced technology of the 20th century, and has become a literary stepping-stone for generations of science-fiction writers.
A "captivating and bittersweet" novel by the #1 New York Times bestselling author of Summer of '69: Their secret love affair has lasted for decades--but this could be the summer that changes everything (People). When Mallory Blessing's son, Link, receives deathbed instructions from his mother to call a number on a slip of paper in her desk drawer, he's not sure what to expect. But he certainly does not expect Jake McCloud to answer. It's the late spring of 2020 and Jake's wife, Ursula DeGournsey, is the frontrunner in the upcoming Presidential election. There must be a mistake, Link thinks. How do Mallory and Jake know each other? Flash back to the sweet summer of 1993: Mallory has just inherited a beachfront cottage on Nantucket from her aunt, and she agrees to host her brother's bachelor party. Cooper's friend from college, Jake McCloud, attends, and Jake and Mallory form a bond that will persevere--through marriage, children, and Ursula's stratospheric political rise--until Mallory learns she's dying. Based on the classic film Same Time Next Year (which Mallory and Jake watch every summer), 28 Summers explores the agony and romance of a one-weekend-per-year affair and the dramatic ways this relationship complicates and enriches their lives, and the lives of the people they love.
A Cafecito Story is a story of love, coffee, birds and hope. It is a beautifully written eco-fable by best-selling author Julia Alvarez. Based on her and her husband's experiences trying to reclaim a small coffee farm in her native Dominican Republic, A Cafecito Story shows how the return to the traditional methods of shade-grown coffee can rehabilitate and rejuvenate the landscape and human culture, while at the same time preserving vital winter habitat for threatened songbirds.
Not a political or environmental polemic, A Cafecito Story is instead a poetic, modern fable about human beings at their best. The challenge of producing coffee is a remarkable test of our ability to live more sustainably, caring for the land, growers, and consumers in an enlightened and just way. Written with Julia Alvarez's deft touch, this is a story that stimulates while it comforts, waking the mind and warming the soul like the first cup of morning coffee. Indeed, this story is best read with a strong cup of organic, shade-grown, fresh-brewed coffee.
Not a political or environmental polemic, A Cafecito Story is instead a poetic, modern fable about human beings at their best. The challenge of producing coffee is a remarkable test of our ability to live more sustainably, caring for the land, growers, and consumers in an enlightened and just way. Written with Julia Alvarez's deft touch, this is a story that stimulates while it comforts, waking the mind and warming the soul like the first cup of morning coffee. Indeed, this story is best read with a strong cup of organic, shade-grown, fresh-brewed coffee.
Meredith Gentry, a faerie princess posing as a human detective, tries to outwit a killer sent by her rival for the dark throne of an exotic kingdom, while an unexpected proposition from the faerie king puts her life in further danger.
In an uncertain world, we cling to familiar things to make us feel secure: Baseball, a local watering hole, a friendly town sheriff, man's best friend, a nicely landscaped backyard, love... What happens when these safe havens become unsafe? When the familiar turns outlandish and incomprehensible? Come join the choir of surreal dark melodies that lurk in the wilderness of Alex Kimmell's imagination. Six unforgettable tales plus the mind altering first chapters of the upcoming new novel Down the Sunday Hole, where a young boy finds himself shoved beyond the borders of perception.