Essays

In a series praised every year for its eclectic character, this year's collection is one of the most eclectic ever. Featuring an astonishing range of essay topics and types, here are vibrant pieces by America's finest prose writers like John McPhee, Jamaica Kincaid, and Stanley Elkin. Guest edited by the Pulitzer Prize-winning author of The Soul of a New Machine.

Chosen by the American Society of Magazine Editors, the stories in this anthology include National Magazine Award-winning works of public interest, reporting, feature writing, and fiction. This year's selections include Pamela Colloff (Texas Monthly) on the agonizing, decades-long struggle by a convicted murderer to prove his innocence; Dexter Filkins (The New Yorker) on the emotional effort by an Iraq War veteran to make amends for the role he played in the deaths of innocent Iraqis; Chris Jones (Esquire) on Robert A. Caro's epic, ongoing investigation into the life and work of Lyndon Johnson; Charles C. Mann (Orion) on the odds of human beings' survival as a species; and Roger Angell (The New Yorker) on aging, dying, and loss. The former infantryman Brian Mockenhaupt (Byliner) describes modern combat in Afghanistan and its ability both to forge and challenge friendships; Ta-Nehisi Coates (The Atlantic) reflects on the complex racial terrain traversed by Barack Obama; Frank Rich (New York) assesses Mitt Romney's ambiguous candidacy; and Dahlia Lithwick (Slate) looks at the current and future implications of an eventful year in Supreme Court history. The volume also includes an interview on the art of screenwriting with Terry Southern from The Paris Review and an award-winning short story by Stephen King published in Harper's magazine.

For almost 100 years, Coney Island was the most popular seaside destination in the United States. Eachyear, millions escaped the heat of New York City to savor the thrills of the Cyclone roller coaster and Wonder Wheel at the Astroland amusement park. They came to sample an original Nathan's Famous hot dog, witness the first demolition derby, or to take a chance at a game of three-card Monte on the legendary boardwalk. The advent of air-conditioning, concerns about Coney's "tawdry" entertainment, and faster transportation to other beaches hastened the demise of what had become a uniquely American icon of entertainment and a defining terminus of New York at the water's edge.

In an effort to revitalize the area, the Van Alen Institute, in concert with the Coney Island Development Corporation, held the Parachute Pavilion Competition, a contest to design a year-round pavilion in the shadow of the Parachute Jump, a landmark built for the 1939 World's Fair. Coney Island: The Parachute Pavilion Competition presents all 864 submissionsfrom the feasible to the fantasticreceived from around the world. The winning design by London-based Carmody Groarke Hardie is a mesmerizing attraction in its own right, composed of two provocative trapezoids illuminated by thousands of colored light bulbs. The design respects the historic icon under which it is located but also promises to become an icon in its own right and bring the fun-loving spirit of Coney Island into the twenty-first century. Featuring essays, photographic documentation, and jury comments, Coney Island: The Parachute Pavilion Competition is a critical resource for students, designers, city officials, and anyone interested in Coney Island and the reinvention of the historic recreation sites of our cities.

Plunging into the enchanted and luminous worlds of Speak, Memory; Ada, or Ardor; and the infamous Lolita, Azam Zanganeh seeks out the Nabokovian experience of time, memory, sexual passion, nature, loss, love in all its forms, and language in all its allusions. She explores Nabokov's geography-from his Russian childhood to the landscapes of "his" America-suffers encounters with his beloved "nature," hallucinates an interview with the master, and seeks the "crunch of happiness" in his singular vocabulary. This beautifully illuminated book will both reignite the passion of experienced Nabokovians and lure the innocent reader to a well of delights as yet unseen.

How do American girls see themselves and their lives today? What are their dreams? Jenny, Laura, and Martha McPhee take readers into the world of girls today, in this beautiful book of original photographs and life stories culled from the sisters' interviews with girls across America.

Information is endlessly available to us; where shall wisdom be found? is the crucial question with which renowned literary critic Harold Bloom begins this impassioned book on the pleasures and benefits of reading well. For more than forty years, Bloom has transformed college students into lifelong readers with his unrivaled love for literature. Now, at a time when faster and easier electronic media threatens to eclipse the practice of reading, Bloom draws on his experience as critic, teacher, and prolific reader to plumb the great books for their sustaining wisdom.
Shedding all polemic, Bloom addresses the solitary reader, who, he urges, should read for the purest of all reasons: to discover and augment the self. His ultimate faith in the restorative power of literature resonates on every page of this infinitely rewarding and important book.

Poetry. Translated from the Turkish by Randy Blasing and Mutlu Konuk. This is the first complete English translation of Hikmet's 1935 book that denounced the imminent Italian invasion of Ethiopia. It is this book that let the Turkish military to begin persecuting Hikmet for his anti-Fascist views. Three years later, the military would sentence him to 28 years in prison for his politics.

From the author of Jazz Cleopatra comes a fresh, eclectic collection of essays that charts one woman's journeys, from New York to France to New England, to that place within us where understanding meets the human heart. Here, armed with humor and irreverence, she explores such themes as youth and motherhood, loneliness and self-discovery, memory and creation, decline and loss.

Have we become beauty-blind? For two decades or more in the humanities, various political arguments have been put forward against beauty: that it distracts us from more important issues; that it is the handmaiden of privilege; and that it masks political interests. In On Beauty and Being Just Elaine Scarry not only defends beauty from the political arguments against it but also argues that beauty does indeed press us toward a greater concern for justice. Taking inspiration from writers and thinkers as diverse as Homer, Plato, Marcel Proust, Simone Weil, and Iris Murdoch as well as her own experiences, Scarry offers up an elegant, passionate manifesto for the revival of beauty in our intellectual work as well as our homes, museums, and classrooms.

Scarry argues that our responses to beauty are perceptual events of profound significance for the individual and for society. Presenting us with a rare and exceptional opportunity to witness fairness, beauty assists us in our attention to justice. The beautiful object renders fairness, an abstract concept, concrete by making it directly available to our sensory perceptions. With its direct appeal to the senses, beauty stops us, transfixes us, fills us with a surfeit of aliveness. In so doing, it takes the individual away from the center of his or her self-preoccupation and thus prompts a distribution of attention outward toward others and, ultimately, she contends, toward ethical fairness.

Scarry, author of the landmark The Body in Pain and one of our bravest and most creative thinkers, offers us here philosophical critique written with clarity and conviction as well as a passionate plea that we change the way we think about beauty.

Interviews with more than 150 parents and care givers inform a probing examination of the anxieties and conflicts that arise in situations in which middle-class parents and their children's care givers have different cultural backgrounds.

Selected short fiction, nonfiction, poetry & prose from The Association of Rhode Island Authors: Lenore M. Rheaume, Regina Andrews, W. Gauvin Barber, David Boiani, Adele Bourne, Heather Caranci, Paul Caranci, A. Keith Carreiro, R.N. Chevalier, Kathy Clark, Jess M. Collette, K. Eric Crook, Kevin Duarte, Hank Ellis, Jill Fague, Leo C. Frisk, Jr., Hannah R. Goodman, Patricia Hinkley, L.A. Jacob, Sam Kafrissen, Deborah Katz, Donna Lomastro, Paul Magnan, Peter Mandel, Richard Maule, Joann Mead, Don J. Metivier, G.A. Miller, Yvette Nachmias-Baeu, Jack Nolan, Frances O'Donnell, Dusty Pembroke, Joanne Perella, D.R. Perry, Joni Pfeiffer-Moser, Thom Ring, Victor Rudowski, Bob Sherman, Alycia Marie Shillan, Angelina Singer, J. Michael Squatrito, Jr., Edward Taylor, Debbie Kaiman Tillinghast, Cheryl A. Voisinet, Barbara Ann Whitman, Deb Zannelli.

The translation into English verse of one of Molière's most masterful and most popular plays. "A continuous delight from beginning to end" (Richard Eberhart). Introduction by Richard Wilbur.

A clairvoyant, Leadbeater wrote, is simply a person who develops the power to respond to another octave out of the stupendous gamut of possible vibrations and so is enabled to see more of the world..than those of more limited perception. And what a world Leadbeater describes for us in these pages---a world of Master adepts and their pupils, untapped human powers and potentials, ancient mysteries, devas and nature spirits--in short, the unseen workings of the universe.

Selected short fiction, nonfiction, poetry & prose from The Association of Rhode Island Authors: Lenore M. Rheaume, Steven R. Porter, Al Bettencourt, Jimmy Gyasi Boateng, Helen Burke, Paul F. Caranci, R.N. Chevalier, Kathy Clark, Jane F. Collen, JEssica M. Collette, Norman Desmarais, Leo C. Frisk, Jr. L.A. Jacob, Debbie Kaiman Tillinghast, Deborah Katz, Lawrence J. Krips, Susan Letendre, Frances L. O'Donnell, Christie O'Neil Harrison, Joanne Perella, Mark Perry, Joni Pfeiffer-Moser, Dawn M. Porter, Victor C. Rudowski, Edward Taylor, Tom Trabulsi, Barbara Ann Whitman and Bruce Wilcox.

Now featuring an Introduction by Don Henley, founder of the Walden Woods Project, this beautiful commemorative edition of Thoreau's masterpiece features spectacular color photographs that capture Walden as vividly as Thoreau's words do.

Henry David Thoreau was just a few days short of his twenty-eighth birthday when he built a cabin on the shore of Walden Pond and began one of the most famous experiments in living in American history. Originally he was not, apparently, intending to write a book about his life at the pond, but nine years later, in August of 1854, Houghton Mifflin's predecessor, Ticknor and Fields, published Walden; or, aLife in the Woods. At the time the book was largely ignored, and it took five years to sell out the first printing of two thousand copies. It was not until 1862, the year of Thoreau's death, that the book was brought back into print, and it has never been out of print since. Published in hundreds of editions and translated into virtually every modern language, it has become one of the most widely read and influential books ever written. Proceeds from the sales of the book will be donated to the Walden Woods Project.

This rich collection of writings on the nature of love and commitment has long delighted brides and grooms of every denomination. Culled from both sacred and secular texts, and suitable for either traditional or informal wedding ceremonies, these selections might be included in Catholic, Protestant, Jewish, interfaith, and non-denominational exchanges of vows.

Among the passages appropriate for readings by parents, friends, or the bride and groom are selections from Plato and Sappho, Rilke and Auden, Ecclesiastes and Euripedes, Shakespeare and Donne, pascal and Montaigne, Emily Dickinson and Anne Morrow Lindbergh. There are love songs from the Aztecs and Eskimos, Hindu and African wedding prayers, a Buddhist marriage homily, a Shaker hymn, and Irish blessing, excerpts from Coptic Orthodox and Greek Orthodox marriage services, and passages from the Old and New Testaments, some familiar, some surprising. With myriad choices, Wedding Readings will help you add a special, personal touch to your marriage ceremony.