Banner Message
SEARCH OUR INVENTORY OF THOUSANDS OF NEW & USED BOOKS
ALL USED BOOKS IN VERY GOOD TO EXCELLENT CONDITION -- MANY LIKE NEW!
Drama & Plays
&&LDIV&&R&&LDIV&&R&&LDIV&&R&&LP style="in 0in 0pt"&&R&&LI&&RMacbeth&&L/I&&R, by &&LB&&RWilliam Shakespeare&&L/B&&R, is part of the &&LI&&RBarnes & Noble Shakespeare&&L/I&&R series. This unique series features newly edited texts prepared by leading scholars from America and Great Britain, in collaboration with one of the world's foremost Shakespeare authorities, &&LB&&RDavid Scott Kastan&&L/B&&R of Columbia University. Together they have produced texts as faithful as possible to those that Shakespeare wrote.&&L/P&&R&&LP style="in 0in 0pt"&&R &&L/P&&R&&LP style="in 0in 0pt"&&REach volume in the &&LI&&RBarnes & Noble Shakespeare&&L/I&&R includes: &&L/P&&R&&LB&&RNew Scholarship&&L/B&&R - Premiere scholars introduce each play with contemporary scholarship. An essay on editing the text provides an in-depth look at the quartos and folios used in the edition. &&LB&&RContextualizing Essays&&L/B&&R - Essays on Shakespeare's England, language, and life, along with essays on performing Shakespeare and significant performances frame the play in both historical and theatrical context for readers. A look at the lasting influence of the play on music, art, film, and dance creates an interdisciplinary framework with which to approach the play. &&LB&&RBetter Notes&&L/B&&R - Through one-word margin definitions, facing-page glosses, and longer end notes after the play, our innovative approach to notes pulls readers away from the text fewer times while providing them with more information and comprehensive analysis. &&LB&&RFurther Reading&&L/B&&R - An annotated bibliography of titles, hand-selected by the introduction author, takes readers beyond the edition for further reading.&&L/DIV&&R&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&RThe only Shakespearean tragedy that has a villain as its hero, &&LI&&RMacbeth&&L/I&&R presents a stark and disturbing view of the psychology of wickedness and guilt. The editor, &&LSTRONG&&RJesse M. Lander&&L/B&&R, draws on the early modern literature of witchcraft and demonology to provide an illuminating context for the play. &&L/DIV&&R&&L/DIV&&R
The Merchant of Venice is perhaps most associated not with its titular hero, Antonio, but with the complex figure of the money lender, Shylock. The play was described as a comedy in the First Folio but its modern audiences find it more problematic to categorise. The vilification of Shylock 'the Jew' can be very uncomfortable for a post-holocaust audience and debates continue as to whether Shakespeare's portrayal of this complex man is sympathetic or anti-semitic.
John Drakakis' comprehensive introduction traces the stage history of the figure of the Jew and looks boldly at twenty-first century issues surrounding it. He also explores other themes of the play such as father/daughter relations, the power of money and the forceful character of Portia, to offer readers an energetic, original and revelatory reading of this challenging play.
The translation into English verse of one of Moliere's most masterful and most popular plays. "A continuous delight from beginning to end" (Richard Eberhart). Introduction by Richard Wilbur.
This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart.
The author of such modern classics as The Bald Soprano, Exit the King, Rhinoceros, and The Chairs, Eugène Ionesco is "one of the most important and influential figures in the modern theater" (Library Journal). This crucial collection combines The New Tenant with Amédée and Victims of Duty--the plays Richard Gilman has called, along with The Killer, Ionesco's "greatest plays, works of the same solidity, fulness, and permanence as [those of] his predecessors in the dramatic revolution that began with Ibsen and is still going on." In Amédée, the title character and his wife have a problem--not so much the corpse in their bedroom as the fact that it's been there for fifteen years and is now growing, slowly but surely crowding them out of their apartment. In The New Tenant a similar crowding is caused by an excess of furniture--as Harold Hobson said in the London Times, "there is not dramatist . . . who can make furniture speak as eloquently as Ionesco, and here he makes it the perfect, the terrifying symbol of the deranged mind." In Victims of Duty, Ionesco parodies the conformity of modern life by plunging his characters into an obscure search for "Mallot with a t." In these as in all his plays, Ionesco poses and solves his tragicomic dilemmas with the brilliant blend of gravity and hilarity that is the hallmark of the absurdist theater.
The heroic Greek dramas that have moved theatergoers and readers since the fifth century B.C. Towering over the rest of Greek tragedy, the three plays that tell the story of the fated Theban royal family--Antigone, Oedipus the King and Oedipus at Colonus--are among the most enduring and timeless dramas ever written. Robert Fagles's authoritative and acclaimed translation conveys all of Sophocles's lucidity and power: the cut and thrust of his dialogue, his ironic edge, the surge and majesty of his choruses and, above all, the agonies and triumphs of his characters. This Penguin Classics edition features an introduction and notes by the renowned classicist Bernard Knox. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Temporarily putting aside his role as playwright, director, and screen-writer, David Mamet digs deep and delivers thirty outrageously diverse vignettes. On subjects ranging from the vanishing American pool hall, family vacations, and the art of being a bitch, to the role of today's actor, his celebrated contemporaries and predecessors, and his undying commitment to the theater, David Mamet's concise style, lean dialogue, and gut-wrenching honesty give us a unique view of the world as he sees it.